I put together all the Mario Kart style shots and destruction shots on this awesome collab with Beeple and a bunch of other talented artists.

Tests with Vectron, a new feature for rendering fractals in Octane 2018

Some animations I created using Kitbash3D packs

Ethereal lantern shots I developed as concert visuals for Dave Matthews Band

Shots I created from an awesome project, "The Comfort Zone," directed by my buddy Smearballs (Nick DenBoer), for client KFC, and with ad agency Wieden+Kennedy.

Here’s a more in-depth article on this project by Studio Daily: http://www.studiodaily.com/2018/05/putting-iridescent-whales-outer-space-ivan-torrents-immortalys-trailer/

Concert visuals I created for the K-Pop group Big Bang, directed by Michael Figge of Possible.

A collection of concert visuals I created for EDM artists like Deadmau5 and Viktoria Modesta

CGSociety Article

Greyscalegorilla Feature

Toolfarm Feature

A shot from a recent spot for my buddy Mark Thorsen for a sparkling protein water called Fizzique. Bubbles were created in X-Particles and the shot was rendered in Octane for C4D.

Three music videos for the band Social Repose that I managed all the VFX for, with help from my friends Francisco Leon and Tony Copolillo

With the help of Nexus Motion (Brograph!), I created these PSAs for the Virginia Department of Health, to provide info on the Zika Virus.

A music video that I did the DIT, editing, color grading, and VFX work on. My talented friend Abel Okugawa assisted me with the edit. Directed by Derrick Borte, with DP Eric Hurt.

With the help of my friend in Poland, Bart Walczak, we took on more than 70 VFX shots for the film Coming Through the Rye. These are my favorites.

Created for Dave Matthews Band's 2015 tour, my friend and creative director for the tour, Aaron Farrington spent weeks creating painstaking timelapses of mushrooms. I took the mushrooms, cut them out in AE, and then projected them onto proxy geometry that animated in time with the mushrooms in Cinema 4D. Having 3D geometry for those mushrooms meant that I could create an edge light that wasn't there in the original environment the mushrooms were photographed in, and this allowed them to sit into the scene's lighting nicely.

The trees were created and animated in SpeedTree 7, and the birds animated in C4D and cloned onto a simple helix. I stitched these scenes together by ending the mushrooms with a pan to the sky and beginning the birds with a pan from below. Both were rendered using Octane.

I used Hot4D to create the water, GSG Signal to produce the flicker in the neon sign, and Octane as my render engine of choice. Produced for Derrick Borte's company, Storyland Pictures. Directed by Derrick Borte.

This was created within a week for the magic carpet riding hero, as an intro video that played for his bar mitzvah, just prior to him appearing in a poof of smoke, or so I am told. Directed by Derrick Borte.

Various iterations on a project revealing various national parks in Africa.

Produced in collaboration with ad agency Phil & Co.

I did the DIT, editing, color grading, and finishing on these spots, with Mark Meyers' production company TradeMarky, and ad agency Big River. The ads made it onto adweek.

A :60 and :30 spot that I did the DIT, editing, color grading, and finishing work on. Mark Meyers' production company, TradeMarky, hired me for this job, collaborating with ad agency Big River.

An excellent short film by director/DP Eric Hurt. I did all the VFX work.

One of our crowning projects at Filament Productions, directed by Aaron Farrington, edited by Aaron Farrington and Abel Okugawa, and VFX by myself and David Sawchak. I was responsible for the intro shots of Dave on the roof, the pumping and falling sequence, the chase sequence, and the parade at the end. 

Directed by Justin Rossbacher and edited by Won Novalis, both of Abandon Films.

This was produced for the banner of redstarmerch.com, and accomplished with a green screen, an Arqspin (a turntable for the t-shirt models), and several spherical HDRIs.